Mon 1 Oct 2007
Go, Radiohead!
Posted by David under journalism
[6] Comments
Some of you will know I’m not just saying “I thought of it first” when I say that I’ve long thought that a gratuity-based system could be the answer to the woes of the music industry in the era of digital music (the rest of you will just have to take my word for it… or not believe me… I don’t care). The basic question is “how will artists get compensated if music can be downloaded online?” and my proposed answer is “what if it became part of our culture that you paid artists whose music you enjoy?” We voluntarily give money to our waitstaff, often even when we don’t appreciate their service. Why not try something similar with musicians? The worst that can happen is that people don’t choose to pay and we’re right back where we started. Well, that’s a particular point of view. If you’re the RIAA, the worst thing that can happen is the dissolution of your industry.
Anyway, I thought a lot about how to try to make this a reality, but let go of the idea mid-2005 when I found out that it’d been tried before. And that Amazon and Paypal were both flirting with the idea as well. But obviously, it hasn’t really gotten any traction. And the RIAA continues to rule the land of music (with a big, huge, clumsy iron fist, I might add).
Well, now a fresh counterattack from Radiohead, a band that many friends of mine love but that I’ve never taken to, largely for lack of trying. Go to their site, and name your price (as little as one Brittish Penny) and (after October 10) you’re able to download the album. Some see this move as a publicity stunt. I doubt it. I think it’s more them being fed up with Big Label mentality and searching for something new. I predict that their fans will eat it up, I bet they serve up over a million downloads and gross 2-5 million dollars. But of course, even if I’m right, it cannot be denied that they already have a huge fan base, and that most bands would just be penniless voices in the wilderness if they tried this. There’s still a role for someone like the Big Labels. But whoever it is will have to start by acknowledging that the rules of the game have totally changed. The RIAA seems about as likely to do that as they are to start selling wax cylinders again.
So, kudos to Radiohead, I’m tempted to go buy their album just as a sign of support, even though I’ve never been a big fan. But I’m sure feeling like something of a fan at the moment.
6 Responses to “ Go, Radiohead! ”
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[…] got curious about how the whole Radiohead thing had played out when I heard mention of it on NPR’s Morning Edition this morning. Turns out […]
You are a fan of their ingenuity, if not their music.
radiohead is one of the most brilliant musical voices of my generation, david, and this just shows them to be savvy and awesome in other realms as well. they haven’t had an album in years, either, so this is exciting on so many levels. get the album. listen to it loud, with the lights off, and try to keep from floating away. i dare you. :)
do you want a brief tour of past works to get you started?
(and what’s with the camelCase in the title?)
yes, k, I’ve heard many say that. I’ve tried them out (Ok Computer), and it didn’t immediately grab me, but I do not mean to say anything negative about their music, I just don’t know it well. If you want to suggest certain albums to get started on, I’m all ears.
Sorry about the CamelCase, it flows easily off my programming fingers, and then I wasn’t sure if it was correct or not. Thanks for the correction! It’s corrected!
As a lawyer for the music industry, I too think it’s interesting where the industry may be headed. That’s why I took this job — talk about a sector in turmoil. And no one knows where it might land. Aside from the threat of getting laid off like so many tens of thousands of others (perhaps unlikely, thankfully, since they’ll always need litigators like me) I think it’s all very exciting.
As for Radiohead, kudos to them. They have the kind of success that lets them be successful without a record deal (they’ve been contract-less since 2004) so they can do whatever they want with their music and still probably get paid. Thousands of up-and-comers won’t be so lucky, sadly, as the “music wants to be free, dude” crowd continues wrecking the art they profess to love. As the industry contracts and takes fewer risks, those up-and-comers will never see the light of day.
I too like Radiohead.
I hope this comment is content-less enough to avoid deletion… :)