Quick review: Good for a few laughs, but too unrealistic to make me think about real issues as it was intended to do.

I had a show on my college radio station where I played mostly modern
classical music. That’s when I first started thinking about
“prolific” artists. I noticed that I tended to dislike the music of
composers who were described this way in liner notes. Furthermore, I
wondered why, in an era of information overload, when thousands if not
millions of people are trying to get public attention for their work,
would anyone view being “prolific” as a positive thing. I’d much
prefer someone who produces a small number of great things to a great
number of small things.

So, when I read in the program to Reel that IU MFA playwrite Paul
Shoulberg was described by his advisor as “the most prolific
playwright I’ve had in the program in twenty years”, I got just a
little worried. In fact, although I’m sure the professor didn’t mean
it this way, it struck my mind as a backhanded compliment, a sort of
“well, this is the nicest thing I can think to say about him.” Again,
I’m sure that wasn’t intended. But I was worried.

Sadly, my concern was not in vain.

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